About Molinare

“At Molinare we pride ourselves on not only our outstanding facilities but also on our outstanding people who make Molinare a very special place to work.

I have the privilege of leading our highly talented and dedicated creative teams, and am constantly amazed by what the team can achieve in post to make a production look and sound its absolute best.”

NIGEL BENNETT, Managing Director

Since its launch over 40 years ago Molinare has gained an outstanding reputation for its post-production work on high-end television and feature projects and deservedly earned its place as one of the top post houses in the UK.

Specialising in grading and digital intermediate, sound, VFX and workflow management, we provide a warm, welcoming environment for clients, retaining a boutique feel whilst offering state-of-the-art resources.

Our passion for film and television comes across through our award-winning work.  We love collaborating with directors and production teams to form partnerships resulting in projects that look and sound beautiful. And with our expertise of emerging technologies, such as 4K workflows and HDR grading, we are in a position of providing the most creative and technically advanced services possible.

For our full Terms & Conditions, please click here
For our full Corporate Social Responsibility Policy, please click here

“I believe there’s something in Molinare’s DNA that makes it a special place for storytellers, irrespective of whether it’s the 100th episode of a beloved TV series, a first time filmmakers passion project, a BAFTA worthy documentary or a Cannes red carpet movie.

Perhaps that's due to the 40 year heritage, the mix of high end TV and Feature Film and the unique talent assembled under our roof, but there's magic in the air!”

NIGEL BENNETT, Managing Director


Best Post Production House (Nominated)

BAFTA TV Craft Awards
Best Sound: Fiction for Killing Eve (Winner)

Outstanding Achievement in Sound Editing - Feature Documentary for Three Identical Strangers (Nominated)
Outstanding Achievement in Sound Editing - Episodic Long Form - Effects / Foley for Patrick Melrose (Nominated)
Outstanding Achievement in Sound Editing – Episodic Long Form – Dialogue / ADR for Bodyguard (Nominated)
Outstanding Achievement in Sound Editing – Single Presentation for Collateral (Nominated)

Excellence in Sound for a Television Drama for Killing Eve (Winner)

Best Sound Design in a Television Programme for Patrick Melrose (Winner)
The Krotos Audio Award for Best Sound Design in A Feature Film for Serendipity (Winner)
Best Sound Design in a Television Programme for Bodyguard (Nominated)
Best Sound Design in a Television Programme for Killing Eve (Nominated)

Best Audio Post Production (Non-Scripted)’ for Married to a Paedophile (Winner)
Young Talent of the Year – Post Production (Nominated)
Excellence in Grading (scripted) for Patrick Melrose (Nominated)
Best Audio Post Production (Scripted) for Patrick Melrose (Nominated)